Archive for 2010

Night Scenes

Friday, November 19th, 2010

When I was using traditional film, I tried many times to photograph night scenes but was never really happy with the results. Getting a good exposure involved a lot of trial and error and even the best exposures often had blocked-up shadows, blown-out highlights, or both. Lately, I’ve been experimenting with night scenes again. With a digital camera, the histogram takes the guesswork out of finding an exposure that works. And, using HDR techniques makes it possible to hold detail in both shadows and highlights. Sometimes you really can have it all!

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Aspen Montage

Friday, November 12th, 2010

Sometimes I see something in my mind’s eye and have to see what it actually looks like. This photograph of Aspen in autumn was taken earlier this fall in Kebler Pass, CO. As I was processing it, I began to visualize it on a background of Aspen bark. Fortunately, I frequently photograph textures such as brick walls, peeling paint, bark, etc. for possible use as backgrounds or for adding texture to an image and I had several images of Aspen bark in my files. Using Photoshop, I placed the Aspen photo over one of the bark photos and feathered the edges to provide a soft transition between the image and the background. Then, to add some interest to the background, I painted a burnt edge onto the bark. I think that the result tells more of a story than the original image by itself.

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North Woods Redux

Friday, November 5th, 2010

I frequently re-visit images that I have previously processed in Lightroom and/or Photoshop. I’ve found that I respond to photographs differently at different times, probably based on my mood or what else I’ve been working on during that session. This often leads me to tweak the settings or completely reprocess the image to achieve a different effect or create a different mood. The picture above is one of those images. It’s from a 2009 trip to Acadia National Park. While my first attempt at processing produced a good photograph, I wasn’t really happy with it – it seemed flat and uninviting. Earlier this week I decided to work on it again. After completely reprocessing it to enhance the sense of depth and increase the saturation of some key colors, I find it much more engaging. I feel more drawn into the image – it takes me back to the northern New York woods near where I grew up.

Images such as this have taught me that there is often more than one “right” answer.

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