Long exposures turn moving water into glass and clouds into streaks. The technique is simple; the craft is choosing the right subject and time.
What works
- Seascapes: waves become mist around rocks and piers.
- Lakes: ripples smooth into mirror-like surfaces.
- Clouds: fast-moving clouds streak across the sky over 1–4 minutes.
- Waterfalls and rivers: 0.5–2 s for silk, longer for mist.
- Busy places: people walking through a scene disappear over several minutes.
Static anchors — a pier, rock, tree or building — give the motion something to contrast with.
Choosing the ND filter
| Desired exposure (daylight) | Typical filter |
|---|---|
| 1/2–2 s | 3 stops |
| 4–30 s | 6 stops |
| 30 s–4 min | 10 stops |
| 4 min+ | 15+ stops |
Use the ND filter calculator to convert your metered shutter speed.
Workflow
- Compose and focus without the filter (strong NDs make the viewfinder dark).
- Meter and note the shutter speed.
- Switch to manual focus so the camera doesn't hunt.
- Attach the filter and set the converted time in bulb mode.
- Time it with the long exposure timer, which beeps before the end.
- Cover the viewfinder on DSLRs to stop light leaks.
Problems and fixes
- Color cast (blue or magenta): correct white balance in RAW.
- Vibration: heavy tripod, no strap flapping, remote release.
- Overexposure as light changes: during sunset, re-meter between frames.
- Hot pixels: long exposure noise reduction on, or shoot a dark frame.
No filter? Stack a burst with the image averager to simulate a long exposure.
About 1 min read · Updated 2026-10-20