Abstract photographs strip a subject down to color, line, shape and texture. Nature is full of them — you just have to look closer, or move the camera differently.
Look closer: patterns and textures
- Sandstone layers and desert varnish on canyon walls.
- Shapes in slot canyon walls lit by reflected light — swirling forms that can look like figures or spirits.
- Cracked mud in dried lakebeds.
- Lichen on granite.
- Frost patterns on windows and leaves.
- Ice bubbles in frozen ponds.
- Tree bark: aspen eyes, ponderosa puzzle plates, birch peeling.
- Ripples in sand dunes at low sun.
- Leaf veins backlit by the sun.
- Seed heads and dandelion spheres.
Use water
- Reflections of fall color in rippled water at slow shutter speeds.
- Foam swirls in a plunge pool over several seconds.
- Raindrops on a window with a colorful background.
- Waves receding over wet sand.
Move the camera
- Intentional camera movement (ICM): a vertical pan of 1/8–1/2 s through a forest turns trunks into brushstrokes.
- Zoom bursts on colorful flowers.
- Spin the camera on a tripod for circular blur.
Combine images
- Multiple exposures of a wildflower field, one sharp and one defocused.
- Kaleidoscopes: mirror a slice of a flower or leaf into a mandala with the kaleidoscope maker.
- Square four-way reflections of tree canopies.
- Layered textures from two related subjects.
Light and focus
- Shallow depth of field through foreground flowers so color washes across the frame.
- Silhouettes of grasses against a sunset.
- Bokeh from sunlight through leaves.
- Black-and-white minimalism: a single tree in fog — see black-and-white landscapes.
Tips
- Remove context: fill the frame so the subject is unrecognizable or ambiguous.
- Look for repetition broken by one different element.
- Rotate the image — abstracts don't need a "right way up."
- Make series: ten related abstracts are stronger than one.
About 1 min read · Updated 2026-10-20